برچسب: music

  • The sound of music returns to students traumatized by the Eaton fire

    The sound of music returns to students traumatized by the Eaton fire


    Student musicians give a concert for Pasadena Unified.

    credit: Pasadena Unified School District

    An Altadena family with four young children was awakened in the middle of the night by a firefighter’s urgent evacuation order. They fled their house with little more than the pajamas on their backs. The youngest child, a violinist, left her instrument behind. When the family arrived at the evacuation shelter, her greatest worry was whether her violin was going to be safe.

    In the wake of the catastrophic Eaton fire that swept through Los Angeles in January, many people lost their lives, homes and possessions to the flames. Many of the students at Altadena Arts Magnet and Eliot Arts Magnet lost not only their houses but also their school and the cherished musical instruments stored in the band room. 

    To a child, losing an instrument can feel almost like losing a loved one. That’s why it was so transformative when Guitar Center and Sony joined forces to put instruments back in the hands of these children.

    “Children are particularly vulnerable, showing their fears through deep emotional responses to the upheaval,” said Natalie Jackson, executive director of the Harmony Project, a group that gives low-income Los Angeles students access to free music education. Eliot Arts Magnet is among their hubs. “When people support music programming, they are not just funding music lessons, they’re investing in stability, healing and opportunity for children, like our young violinist, who have faced and continue to face immense hardship.”

    Myka Miller, executive director of the Guitar Center Music Foundation, spearheads disaster relief efforts, from Hurricane Helene to the LA fires. An oboist who has been playing since she was 12, Miller believes music can be a balm for crushed spirits, a key to unlocking resilience. 

    “Your instrument is a part of you, it’s an extension of our soul,” said Miller, whose initiative received about 1,000 applications and has given away 450 instruments so far. The Altadena music students have received about $200,000 worth. “You can imagine when you’re in a situation like that and you lose everything, that music is the one thing that’s constant in your life.”

    Student musicians rehearse before a concert at Pasadena Unified School District.
    credit: Pasadena Unified School District

    Music has been a guiding light for Karen Klages, a music specialist for Pasadena Unified School District. While her Altadena home was saved by neighbors heroically battling the flames with garden hoses, the trauma still haunts her and her students. Many of her fifth graders, who are still not back in their homes, remain fearful of the future. Others are fighting worry with grit. A group of her music students banded together every day for three weeks to load and unload relief supplies. They became friends for life, she says. 

    “It’s been difficult for me personally and still is. Seeing my whole town burn down has been a shock to the system,” she said sadly. “Music has been a lifeline for everyone. Our band and orchestra is busy, and we all needed that focus.”

    The arts have also been key to healing for Karen Anderson, the arts and enrichment coordinator for the Pasadena Unified School District, who has only now gotten back into her 1918 Altadena house, which was spared during the blaze. She has just begun the long, slow process of repairing the damage from smoke, soot and ash at her home while she tries to bring the sound of music back to the children.

    “It’s been brutal. We made it through Covid, and then there were the fires,” she said, choking up with emotion. “But we were able to leverage a lot of arts programming for well-being. It’s super important to restore normalcy for children as quickly as possible. We didn’t want families to worry about instruments. We wanted to take care of it for them. One less thing to worry about.”

    Anderson has been bound and determined to replace a cavalcade of instruments, including 74 violins, 39 flutes, 61 clarinets, 68 trumpets, 34 saxophones, 17 trombones, 8 french and baritone horns and one tuba. That’s on top of the rock and mariachi instruments. She also made a special effort to replace one of the arts teacher’s prized vintage guitars, a beloved instrument Eric Gothold lost to the fires, like the rest of his family’s earthly possessions. 

    Students from the Eliot Arts Magnet band received new instruments to replace the ones lost in the fire.

    “He was hugging it and he said, ‘You have no idea how much this means to me.’ I felt like it was the least we could do,” she said.

    Anderson is doing her best to help students regain their equilibrium while still coping with her own pain. Like many of the district’s teachers, she has been so focused on helping others that she hasn’t yet had time to fully digest her own feelings. 

    “I’m grateful that we still have a house, you know?,” she said, tears welling in her eyes. “But there’s a period where you almost feel guilty. Our house survived.”

    Klages says that knowing that people care is helping the student community beat back the grief of coping with so much destruction.

    “It’s all part of the healing process, but frankly, everyone is still in a state of shock over so much loss,” she said. “There are rallying cries coming in from everywhere, and we hang on to that encouragement.”

    The deep emotional reward of helping people in dire straits is something Miller knows well, but helping these children transcend their tragedy has been particularly touching for all involved.

    That’s why Miller, who usually just ships gifts out to recipients, broke with tradition and met with a group of students at the Pasadena Guitar Center store to hand them their new instruments. 

    “There’s really nothing like that experience,” she said. “It’s hard to describe. It was really cool for them to meet all the other people in the same boat as them, and for me just to see all their faces light up. The gratitude was overwhelming.”

    These shiny new instruments, she hopes, may bring the children and their families a note of optimism amid the ashes.

    “Donors are giving students back not only their instruments,” said Jackson, “but their dreams, and a sense of hope that resonates beyond the music room.” 





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  • Casey Clementson’s Reflections on What to Do in Music Ensemble + Happy Teacher Appreciation Week!

    Casey Clementson’s Reflections on What to Do in Music Ensemble + Happy Teacher Appreciation Week!


    Give clear, concrete directions. Scan for follow-though

     

    Happy Teacher Appreciation Week! Casey Clementson, author of the following post, is a middle school music teacher at Rosemount Middle School in Rosemount, MN.

    As part of her work as a Teach Like a Champion Fellow, Casey studied the What to Do Cycle, using its principles and adapting them to the challenges of doubly-complex settings like Concert Band.

    Her reflections (below) are so helpful… they’re our Teacher Appreciation Week gift to you!

    Meanwhile if you’re interested in learning more about What to Do Directions or other elements of productve and orderly classrooms, join us for our Building Strong Classroom Cultures workshop in Tarrytown, NY, on June 5th and 6th; info here.

    And if you are interested in finding our more about becoming a TLAC Fellow, applications for our fourth cohort are open and available here: https://teachlikeachampion.org/teach-like-champion-fellows/ and are due by May 30, 2025.

    Meanwhile, here are Casey’s insights:

     

    The Concert Band or Orchestra is a complex environment. Not only are students responsible for their personal materials needed for learning, they are also in charge of a musical instrument (one that costs hundreds of dollars). In my subject area – Concert Band – there could be over ten different types of musical instruments being used among the students, up to four different key signatures, and two different clefs used for reading music notation. To top it off, most percussionists are required to perform musical tasks completely independent but at the same time as the other students in the ensemble!

     

    Self-regulation and self-discipline from the students is essential to making this type of classroom shine. The best Instrumental Music teachers know how to harness these challenges to shape the attention of their student musicians to keep everyone learning and helping every student become an independent musician.

     

    During my time as a TLAC Fellow, I tried on many techniques to see how they fit in a class where nobody sits at a desk to learn. The technique that I fell in love with most was the What to Do Cycle. The What to Do Cycle is a sequence of moves that provides students clarity so they can experience success and belonging in the classroom.

     

    See Casey use the What to Do Cycle here: 

     

     

    Here are a few things I learned during this process:

     

    What To Do Cycles take planning, practice, and refinement.

     

    There is a potency in consciously naming a What to Do Cycle. Teachers may say they are giving clear instructions when they are really not. Teachers may assume the students will magically do what is asked of them no matter what. I was this teacher.

     

    For example, I have been teaching out of the same rhythm workbook for years. This year, I carefully craft my explanations, my examples, and my directions each day we have a rhythm lesson. I learned to change the register and tempo of my voice to make the ask exciting, or magical, or to harness middle school energy into concentration.

     

    Sometimes Be Seen Looking and Correct When Necessary are the most important part of the What to Do Cycle.

     

    A What to Do Cycle is more than just giving clear concise directions. By using Be Seen Looking and some positive narration: “The flute section has really got their pencils moving” or using an Anonymous Individual Correction such as, “Waiting for two saxophones to get their Scale sheet out,” while circulating the room is effective.

     

    One of the greatest benefits has been the use of Private Individual Correction. Anything from softly saying “Check you counts in measure 1” to “Do you have something in your mouth that needs to go in the garbage?” to the more urgent “I need you to turn your body to the front and participate” allows students to feel safe while they practice the expectations of the task at hand or of the classroom in general.

     

    Purpose not Power.

     

    One of my most impactful take-aways from a training of the What to Do cycle was the phrase “Purpose not Power.” In my 26 years of teaching, I certainly remember many instances of power struggles between me and a student. Being able to reframe my thinking that everything I do to guide behavior and culture is for the service of learning music versus trying to control young people has resulted in powerful outcomes:

     

    • Our rehearsals are calmer.
    • My emotional constancy has been easier to maintain.
    • Our students are visibly and audibly improving at a rate we have not seen since pre-pandemic.

     

    My “thank yous” and smiles to students have been more genuine than ever after a Be Seen Looking, an Anonymous Individual Correction, or in celebration of a job well-done.

     

    The purpose of the TLAC Fellows program is a two-way street: The TLAC team learns from the Fellows and receives a ton of great video from us to work with. And, in return, I was inspired to improve my craft, thus reigniting my love of teaching.

     

     

    Post script 1: Since adopting the use of strong WTD cycles, Cold Call has become a natural extension/part of our classroom (even without a roll out). After a Be Seen Looking and making eye contact with multiple students, I can engage in successful Cold Calls, but that’s for another blog post.

     

    Post script 2: Our school is a 1:1 iPad school. After reading the book The Anxious Generation by Jonathan Haidt over the summer, my colleague and I decided the Band Area would be an iPad-free zone. Students turn their iPad in at the beginning of class and don’t pick it up until the bell rings. For 52 minutes, our musicians get to engage in something truly collective – learning music together – without the distraction of gaming, doing work for another class, or communicating with peers online. Could this be another factor in a successful classroom this year? Probably, yes!

     



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  • Staying connected with music has enriched my college life

    Staying connected with music has enriched my college life


    Two years ago, I was ready to give up everything from my old life and move 3,000 miles away to pursue journalism at San Diego State University. This meant leaving behind my friends, family and my passion for singing and performance. I was sure I would have to leave behind my musical side to focus on my academics, take on a campus job and join the student newspaper.

    Or did I?

    I have been singing almost my entire life, and did so anywhere I could. The first evidence comes from a 2007 video, where 3-year-old me danced around my living room singing “I’m Wishing” from “Snow White and the Seven Dwarves.” A few years later, I took the hobby from my living room to the stage. I joined the school choir and began performing in local productions.

    From then until my high school graduation in 2022, there was not a month that went by where I wasn’t in a show, choir or dance class.

    Music and theater were always my favorite hobbies, but not something I saw myself pursuing as a career. I decided to study journalism in college after discovering my passion for it during my senior year of high school.

    But after dedicating countless hours of my life to performance, how could I leave all that behind in pursuit of my degree?

    Luckily, I didn’t have to.

    Performing served me so well during my time in high school, allowing me to form lifelong friendships and escape from my other endeavors, so I decided to take the risk and blend my old life into my new college one. I soon found the a cappella group I wanted to join: SoundWave.

    I had never done a cappella before, but I wanted to give it a shot. Once I had settled into my first week of freshman year, I signed up to audition and was welcomed into a wonderful community.

    Unfortunately, the rest of my first semester at university did not go so smoothly. I was in a rough living situation at my dorm and had trouble making friends. Every day, I wanted nothing more than to transfer home.

    But when I went to rehearsal, I left those troubles at the door and found solace in a community that valued every single one of its members. At the time, I had wished that we had rehearsal every day.

    Now in my third year of college, and feeling more settled, I am grateful that my SoundWave commitment is flexible, allowing time for my academics and outside endeavors, such as work and an internship.

    I believe in the importance of career-focused pursuits. As a journalism major, I report and write for my college newspaper, The Daily Aztec, and am part of the leadership for our Society of Professional Journalists chapter.

    However, I also believe in the importance of joining clubs that exist outside your academic realm. Not only do such activities make you stand out to potential employers, but they are also a great way to meet people with similar interests.

    Jacob Opatz, a fourth-year computer science major who currently serves as the president of SoundWave, agrees.

    “People always cite the studies that say ‘music is good for your brain,’ but on a deeper level, having a community on campus and working towards a creative goal is so important for my mental health,” he said. “Also, since my major is computer science, I’m desperate to find something creative and fun to break up my otherwise boring schedule.”

    Extracurricular activities in grade schools have been proven to improve optimism and lower depression and screen time, according to a 2020 study by Preventative Medicine.

    As a college student, I am on my laptop for at least eight hours a day. When I’m not on my laptop, I’m usually on my phone scrolling social media.

    Rehearsal gets me to put the screen down and create something with the people around me. 

    We rehearse two days a week. Members are also expected to practice on their own each day. However, the competition season is more hectic. In the months leading up to the quarterfinals for the International Championship of Collegiate A Cappella, our two-hour rehearsals turn into three.

    New member and third-year psychology major Lexy Sakrekoff has had to make some sacrifices to be in the group.

    “I used to go home more on the weekends to visit my mom in Oceanside, but now I avoid that because of our Sunday rehearsals,” she said.

    However, Sakrekoff says the sacrifice is worth it.

    “It helps that [my friends and family] are also super supportive and excited that I’m in SoundWave. I even rehearse my songs in front of them, and that’s always fun for them to listen to,” she said. There have definitely been times when I was up late doing homework after rehearsal or had to cut down my work hours due to performances. But despite my junior year being the busiest so far, SoundWave has always felt like a vital outlet rather than an obligation.

    •••

    Calista Stocker is in her third year at San Diego State University, pursuing a journalism major and sociology minor, and a member of EdSource’s California Student Journalism Corps.

    The opinions expressed in this commentary represent those of the author. If you would like to submit a commentary, please review our guidelines and contact us.





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  • Pacifica’s ‘singing principal’ engages students through music

    Pacifica’s ‘singing principal’ engages students through music


    Student band members perform a concert at the Pacifica School District.

    Credit: Courtesy of Tom Stafford

    Tom Stafford has been singing his heart out since he was 5 years old, performing in a gospel trio with his sister, Pam, and their mother, Doris. The Stafford Family singers traveled all over Appalachia with their unique three-part harmony. 

    “My mother used to say I came out of the womb singing,” says Stafford, who grew up in Vanceburg, Kentucky, before studying music at Morehead State University and getting a master’s degree in education at the University of Louisville. 

    Tom Stafford, former music teacher, principal and arts coordinator for Pacifica School District.
    Credit: Courtesy of Tom Stafford

    The exuberant 61-year-old hasn’t stopped singing yet. When Stafford first landed at the Pacifica School District just south of San Francisco in 2002 as a choral director, he taught music to all the third, fourth and fifth graders. That’s well over 1,000 students a week.

    “It was pretty crazy,” he admits. “It was a lot. By the time I was done on Friday afternoon, I was toast. Thank God I was younger then. But, you know, I loved it. I loved that every kid in town knew me.”

    Over the years, Stafford has played many roles in Pacifica, including music teacher, bandleader, classroom teacher, principal of Linda Mar and Cabrillo schools and visual and performing arts coordinator. He was dubbed the “singing principal” because he sang to his students every day. It was his secret to spark engagement amid widespread student disaffection.

    “It’s a way to get their attention and help them listen to you and know that you are there and that you care,” he said. “The arts are always the first thing cut, and that’s sad because the arts help you build a strong foundation for everything else. Learning to read music early is going to improve reading in class. It’s going to improve the way kids think mathematically in class.” 

    Stafford retired last year, but his legacy lives on for Pacifica’s students because he remains the district’s unofficial music man, the architect of its ambitious sequential music curriculum. He has always believed that music matters in education.

    “We are aesthetic beings by nature,” Stafford said. “And because of that, having a music program allows kids to really explore who they are as individuals, as musicians, as students, as anything they really want to be. The arts in general allow for kids to experiment in becoming who they are.”

    Stafford stepped up when opportunity knocked, expanding the district’s ambitious music program, bolstered by new Proposition 28 funding. Despite declining enrollment and the budget woes it triggers, a challenge now facing many districts, Pacifica remains all in on music education. 

    “Their early commitment to expanding music education is a game-changer for their students,” said Allison Gamlen, visual and performing arts coordinator for the San Mateo County Office of Education. “By offering a sequential, standards-based music program from TK through grade 8, they are ensuring that every child has the opportunity to develop creativity, collaboration and critical thinking skills through music.”

    https://www.youtube.com/watch?v=wc9ekvnYdyg

    Check out a student performance from 2015 at Cabrillo School in Pacifica, which features an introduction by then-arts coordinator Tom Stafford, now retired.

    Stafford had to tap into multiple funding streams, combining private philanthropy with Proposition 28 money, to expand the district’s original music program to reach all grades from transitional kindergarten to eight. Finding music teachers amid a chronic staffing shortage was also a key challenge.

    “You have to leverage every dollar to make it happen,” he said. “You leverage the other funding you have so you can use Prop. 28 to pay the teachers.”

    While some school districts have been hesitant to jump on Proposition 28 arts funding, others have been chomping at the bit to bring the arts back into classrooms after decades of cutbacks. Under Stafford’s watch, Pacifica envisioned a symphony of learning, a program that gradually develops from transitional kindergarten to eight so that students emerge with a profound understanding of the art form. 

    “Depth of knowledge in music education, focusing on progressing skills over time within a single discipline, has profound benefits for students,” Gamlen said. “By prioritizing depth in music education, Pacifica is giving students more than just exposure. They’re equipping them with a pathway to mastery, self-expression and a lifelong love of the arts.”

    Even if students don’t become virtuosos, this deep dive into music will make a lasting impact, experts say.  Even students with a tin ear are likely to get the full cognitive boost that music lessons give the growing brain. For example, research suggests that even 45 minutes of arts practice, however rudimentary it may be, notably reduces stress. Skill is no obstacle. You can be drawing blurry stick figures or mangling chopsticks on the piano, and it still helps spark focus and concentration in the classroom. 

    “Sustained, high-quality arts education enhances academic achievement, social-emotional learning and overall student engagement,” Gamlen said. “Pacifica’s investment in music is an investment in their students’ success —both in school and beyond.”

    When Stafford stepped down last year, he passed the torch to Benjamin Gower, the district’s current visual and performing arts coordinator and band director. They both see music as a tool for building academic skills and emotional resilience in a generation hit hard by the Covid-19 pandemic. The program starts in transitional kindergarten with the basics of song, rhythm, and dance and builds until students join a concert band and specialize in a woodwind, brass or percussion instrument by eighth grade.

    “While the core subject areas teach us the important things we need to understand the world, it is art that helps us learn how to understand ourselves and to be able to live with and make sense of the world around us,” Gower said. “Music is what helps to do that for me and has impacted my life in almost every way I can think of, and it’s that idea that helped inspire me to become a teacher in the first place.”

    Immersing in music over time allows students to achieve a feeling of expertise, of charting their own course and following their passion, that can lead to greater knowledge and pride, experts say. 

    “Music requires students to develop critical thinking skills, organizational skills, understanding the need for teamwork, communication skills, the idea and concept of practicing for improvement,” Gower said, “while also helping boost their self-confidence and helping them to learn how to overcome difficult obstacles and tasks.”

    Pacifica School District students compete in an all-city band competition.
    Credit: Tom Stafford

    Some children will discover an instrument they will play their whole life. That musical acumen will help shape their identity, buttressing their love of learning. 

    “Sequential music and arts programs are essential,” said Merryl Goldberg, a veteran music and arts professor at Cal State San Marcos. “Deep learning in any subject teaches not only about the subject, but it also teaches one how to learn, how to be disciplined, how to embrace understanding, and to feel confident in one’s ability to understand, question and wonder.”

    Stafford has long seen music as a balm for the soul. He says he has always embraced this philosophy: “If you didn’t show up to help, then why are you here?”

    When he realized how much suffering and isolation children had weathered during the pandemic, he began holding “dance parties” during recess at school. He cranked up the music, from disco to K-pop, and invited all comers to bust a move. 

    “That was my favorite part of being principal,” he said. “I wanted to do something joyous. It was also the best move I ever made to maintain discipline.”

    The dance break gave students a chance to let off steam, which helped release frustrations and resolve behavior issues in class, and gave them a chance to bond with their peers. If he ever got too busy and had to cancel a dance party, students inevitably came knocking on his door. They didn’t want to miss out on a chance to socialize. 

    “They needed it, and they knew they needed it,” said Stafford, “Music is how you build bridges in a community. It brings people together.” 

    The best part of retirement for Stafford is finally having more time for his own music, such as his revue “Totally Tom.” He says doesn’t miss the herculean administrative headache of running a school, but he does miss the kids.

    “I miss them every day.”





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