برچسب: Culture

  • GOP Has a New Culture War Target: Superman

    GOP Has a New Culture War Target: Superman


    Democrats are tied up in knots trying to frame “the right message.”

    Republicans are focused relentlessly on stupid, misleading culture war issues, invented out of whole cloth. They skillfully maneuver voters into arguing about fake issues, enabling them to sidestep their truly terrible policies and goals.

    A few years back, Republicans launched a full-scale attack on “critical race theory,” which demonized any honest examination of American history. Parents turned out to school board meetings to protest the phantom CRT, which allegedly made white kids feel bad.

    Republicans harped on the issue, and red states passed laws banning CRT and other “divisive” concepts. The base fell for the anti-CRT campaign hook, line, and sinker.

    Have you heard about CRT lately? NO. It served its purpose. On to fomenting hate against other targets.

    In the 2024 campaign, the Republican Party had two burning issues: transgender people and violent immigrants. They harped relentlessly on parents’ fears that teachers were indoctrinating their children to be gay, even to be transgender. School nurses, it seemed, were performing surgery at school so that students could switched to a different gender, even though the same nurses won’t prescribe an aspirin without parental permission.

    Stoking hatred towards immigrants was equally successful for Republicans. Undocumented immigrants were here to rape and murder. When the election was over, Trump used the hatred he had stoked to unleash masked thugs to kidnap people off the streets and throw them into unmarked vans. The mass roundups continue, despite pleas by farmers and the tourist industry to leave their workers alone.

    The centerpiece of Trump’s massive Big Ugly Bill was the billions allotted to dertaining and expelling the immigrants that Trump used to stoke fear and hatred.

    Culture war issues are very successful for Republicans because they distract the public from what is really happening. They distract from informed discussions of the radical downsizing of the federal government, the shutdown of foreign aid, the elimination of programs authorized by Congress, the incoherent tariff wars that alienate our allies.

    The latest culture war issue has been building against the new “Superman” movie. It is even more pointless than the war against CRT and trans kids.

    The best description of the Republicans’ efforts to gin up fear of the new movie was written by journalist Parker Molloy, who writes an excellent blog called “The Present Age.”

    She wrote:

    So apparently Superman believing in “basic human kindness” is now controversial. Who knew?

    James Gunn, director of the new Superman film hitting theaters this Friday, recently sat down with The Times of London for an interview about his take on the Man of Steel. His crime? Describing Superman as “the story of America” — specifically, as an immigrant story centered on the apparently radical notion that being kind to people is good, actually.

    “I mean, Superman is the story of America. An immigrant that came from other places and populated the country,” Gunn told the newspaper. “But for me it is mostly a story that says basic human kindness is a value and is something we have lost.”

    Pretty anodyne stuff, right? The most famously wholesome superhero represents wholesome values. An alien refugee who becomes Earth’s greatest champion might have something to do with immigration. Real “water is wet” territory here.

    But in the right-wing media ecosystem, Gunn’s comments were treated like he’d just announced Superman would be spending the entire movie reading The Communist Manifesto while wearing a pussy hat. Fox News immediately branded the film “Superwoke.”Jesse Watters suggested Superman’s cape should read “MS13.” Breitbart called it “terrible,” “superficial,” and “overstuffed” — which is impressive considering they hadn’t seen it yet. One OutKick writer declared that Gunn was “obviously upset that President Donald Trump is deporting illegal immigrants by the millions.”

    All because a director pointed out that Superman — a character literally created by the children of Jewish immigrants — is an immigrant story about being nice to people.

    The manufactured outrage machine kicked into overdrive so fast, you’d think Gunn had suggested replacing the S on Superman’s chest with a hammer and sickle. But this isn’t really about Superman. It’s about how conservative media takes the most innocuous statements and transforms them into culture war ammunition. It’s about how the right-wing ecosystem has become so reflexively oppositional that even “basic human kindness” reads as a partisan attack.

    And perhaps most tellingly, it’s about what happens when you’ve built an entire media apparatus that needs a constant supply of things to be mad about — even if that means getting upset that Superman, of all characters, stands for truth, justice, and helping people.

    Let’s trace how this nonsense actually unfolded, because watching the outrage assembly line in action is genuinely instructive.

    The Times interview dropped on July 6. Within hours, the right-wing media apparatus had stripped Gunn’s comments of context and repackaged them as an assault on American values.

    Fox News didn’t just report on Gunn’s comments; they created an entire narrative. “Superwoke” became their branded shorthand, repeated across segments like a mantra. Kellyanne Conway appeared on the network to declare, “We don’t go to the movie theater to be lectured to and to have somebody throw their ideology onto us.” Because apparently, suggesting people should be kind is now “ideology.”

    But it was Jesse Watters who really went for it, quipping, “You know what it says on his cape? MS13.” Yes, the Fox News host actually tried to connect Superman — SUPERMAN — to a Salvadoran gang. Because he’s an immigrant, get it? Real subtle stuff.

    The escalation was predictable. Ben Shapiro released a YouTube video through The Daily Wire, focusing his ire on lead actor David Corenswet’s refusal to say “the American way” in interviews. Instead, Corenswet had said “truth, justice, and all that good stuff,” which apparently constitutes treason in Shapiro’s America. “The reality that Hollywood is so far to the left that they cannot take a core piece of Americana and just say it’s about America,” Shapiro complained, seemingly unaware that “the American way” wasn’t even added to Superman’s motto until the 1950s.

    The coordination across outlets was almost impressive. All the right-wing news organizations hit the same talking points within 48 hours. “Go woke, go broke” appeared in nearly every piece, because if there’s one thing conservative media loves, it’s a catchphrase that rhymes.

    What’s particularly rich about all this pearl-clutching is that these same outlets constantly complain about “cancel culture” and “mob mentality.” Yet here they are, organizing a pre-emptive boycott of a movie because its director said… checks notes… immigrants can be good people and we should be nice to each other.

    There is more to her brilliant critique. Open the link and finish reading. I subscribed.

    Meanwhile, the actual film is getting great reviews and audience reactions. We are all in danger of being nice and kind to one another.



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  • Teacher uses jazz to explore California history, race and culture

    Teacher uses jazz to explore California history, race and culture


    Guillermo Tejeda and the Neighborhood Orchestra performing at the Venice Beach Jazz Festival.

    Guillermo Tejeda

    The first thing Guillermo Tejeda does when he visits a new school is hunt for the piano. At most schools, the teacher finds a dusty old instrument, out of tune, stashed away in a dark closet. 

    The cobwebs tell him all he needs to know about how little arts education those students have been getting. His go-to technique to get them more jazzed about learning is to tickle the ivories, make that piano come back to life.

    “I’ll bring it out, dust it off. I’ll bring students into the auditorium and I’ll do lessons there,” said Tejeda, a fourth grade teacher at Wadsworth Elementary in hardscrabble South Central Los Angeles. “I’m telling you, when I bring in song, when I bring music and performance into the classroom, the students light up in a way that really creates a meaningful experience for them.”

    A schoolteacher who is also a jazz musician and a member of the Neighborhood Orchestra Collective, Tejeda uses music in general and the narrative of the LA jazz scene in particular, to teach about history, race and culture, as well as to spark joy in the classroom. A father of three currently on parental leave with his 11-month-old daughter Maya, Tejeda started playing the guitar at the age of 6. His grandfather, a migrant farm worker with a love of mariachi and a hand gnarled from picking in the fields, taught him how to play. 

    “I’m from East LA and I became a teacher because I wanted to be the teacher that I never had,” he said. “We come from a marginalized community where it’s hard to be a teacher. A lot of the adults are stressed out. People are not feeling joy. How do we bring more joy? How do we bring more meaning into our lives? I think music is that vehicle.”

    Tejeda takes an expansive view of education that integrates the arts into all the disciplines to bring learning to life for children. His teaching feeds his music, he says, and his music feeds his teaching.

    “I wish I had a teacher like Guillermo when I was in fourth grade,” said Elmo Lovano, the founder of Jammcard: The Music Professionals Network, who developed School Gig, an app that connects artists to schools. “He’s a passionate guy. He’s incredibly talented. It’s important for artists to know you can still be doing your art, but being a teacher could be an amazing opportunity for you to make a living, stay at home, support your family, give back to the kids, the next generation, and also still do you.”

    Music is the prism through which his students become immersed in the history of their city, its politics and culture. He wants his students to be in tune with their heritage.

    “I teach on 41st and Central, which is a historic jazz corridor,” he said. “And when I got to that school site, it surprised me that so few teachers talked about that. The first thing I did was write a lesson plan about it.” 

    Tejeda, whose students call him ‘Mister’ as a nickname, makes sure his class learns about the rich legacy of jazz in Los Angeles. For example, the historic Central Avenue jazz corridor was, for decades a cultural mecca, the heart of the African-American community in the city. At a time when most of the country was rigidly segregated, it was also something of an oasis, a place where people of all races and classes came together over music. There, a pantheon of jazz luminaries, including Charlie Parker, Miles Davis, Duke Ellington, Billie Holiday and Jelly Roll Morton, played to full houses.

    “The giants of Central Avenue may have gone, but their footprints still remain on all of American culture,” as basketball great Kareem Abdul-Jabbar once put it. “The jazz musicians and record promoters also gave birth to rock ‘n’ roll, rhythm and blues, hip-hop and rap.”

    Guillermo Tejeda and members of the band Steam Down at the Venice Jazz Festival.
    credit: Luis Hernandez

    Steeping in the often overlooked history of their neighborhood, Tejeda says, can help children sharpen their sense of identity, belonging and pride. 

    “These kids have no idea how special and beautiful their neighborhoods are because all they see on the news is how messed up it is,” said Tejeda, long a champion of culturally relevant pedagogy. “I want them to know this is the place, right here in your hood, this is where a lot of jazz music was born.”

    Music often resonates with children on a deeper level than other forms of instruction. Tejeda is moved to tears remembering one little boy who had trouble engaging at school because of trauma at home. He only opened up when they began to play the piano together at recess. The piano became his sanctuary.

    “I’m shook when I come home because a lot of these kids are dealing with very hard stuff and they’re so resilient,” said Tejeda, his voice thick with emotion. 

    “Yes, math and science is important but the whole child is important, that’s what drives me.”

    Music also enhances both math and reading performance, experts say, perhaps partly because it enhances the neuroplasticity of the brain. Music amplifies learning across subject areas, experts say. 

    “Music and movement in addition to the more common modalities of written and verbal instruction is critical for including all kinds of learners in a well-rounded education,” said Jessica Mele, interim executive director of Create CA, an advocacy group. “It’s particularly beneficial for students whose first language is not English. Using art as a window into culture, race and history can engage students in complex conversations that they might not otherwise engage in.”

    Music can also be healing, research suggests. As a boy, Tejeda suffered from a stutter that only subsided when he sang. 

    “I keep it real with the kids because I see myself in them,” he said. “It’s crazy how impactful music has been for me.”

    It’s also a uniquely social experience that invites children to collaborate with their peers on projects that both require and reward focus and discipline, qualities that fuel academic success, experts say. Children practiced in the arts become accustomed to working collectively toward ambitious long-term goals.

    Perhaps most importantly for Tejeda, children often find their voice through music and the arts. They can gain a sense of confidence, social-emotional well-being and a passion for lifelong learning.

    “The end goals of music and education aren’t to memorize curriculums or key terms,” said Tejeda. “It’s really to find out who you are. It’s about self-determination and growing the full human being. I’m so excited to see this synergy of music and education because they are inextricable.”

    Tejeda’s ambition is to make school so stimulating that children want to go there every day because they are deeply engaged in their studies. At a time of chronic absenteeism and plummeting test scores, he has a transformative vision of arts education as reinvigorating the classroom.

    “I feel a deep calling to help effect change across California classrooms,” he said. “I am never going to stop teaching, because teaching and education is so essential to my soul. It is at the core of who I am,” but this “is a critical time for me to put my work into the next gear and figure out how I’m going to apply my passion and expertise to affect tangible change, more urgently, on a wider scale.” 

    Going forward, he hopes to pursue arts education advocacy on a broader level. He is also developing a new arts-driven curriculum, to “unleash the symphony of learning,” as Proposition 28, the state’s groundbreaking 2022 arts initiative, ramps up.

    “It’s like out of my dreams and into reality,” he said. “We’re going to create a new world for students. This is a revolutionary time.”





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  • Mariachi program teaches history and culture as well as music

    Mariachi program teaches history and culture as well as music


    Credit: Allie Palomera from SCCOE

    Zaida Ramos first learned the magic of mariachi from her father when she was a little girl. Now they make music together, running the bilingual music program for San Jose’s Alum Rock Union School District.

    Her father, Juan, is the maestro, the music director. She’s the program director. The father and daughter duo collaborate to share the culture and heritage of mariachi music with their students. The Ramos clan has been teaching children music for more than two decades. It’s a veritable family business.

    “Mariachi is how I grew up. In my family, we were always singing,” said Ramos, a vocalist who also plays the violin. “It’s so fulfilling for us, so rewarding, to share mariachi with the families and with the whole community. Everybody is part of the performance because everybody’s connected to these songs, you know? Many times you’ll hear the audience sing along, they laugh, they cry. It resonates with everybody in some way, it’s their story.”

    Students from third to eighth grade gather after school and during the summer to steep in the folkloric music of the southwest region of Mexico, a musical tradition marked by stringed instruments, strolling musicians clad in intricately embroidered costumes and a distinctive yell known as a “grito.” The youngsters in this program learn how to play instruments, including the guitarron, guitar, vihuela, violin, and the trumpet and to sing, art forms that require equal parts creativity and discipline. They also learn the beauty and fluidity of ballet folklorico.

    “I am really driven by the ideal of a free and public education, and the arts need to be part of that,” said Sofia Fojas, arts coordinator for the Santa Clara County Office of Education. “Music and the arts are part of being human. It’s a universal language, a way to bridge the different cultures we see in the classroom in California. It’s really about the importance of arts and culture and engaging youth who traditionally have not had access.”

    Credit: Allie Palomera from SCCOE

    Through the study of mariachi, children from this predominantly Latino district learn that music is more than sound. It’s also about identity, history and culture. Mariachi contains myriad meanings because there is great nuance and complexity embedded in its notes. While the melodies evoke Mexican heritage, with roots deep in the country’s colonial period, many of the themes are also universal.

    “I believe that by embracing our cultural heritage and sharing our stories through music, we can inspire positive change and create a more harmonious society,” said Guillermo Tejeda, a musician who specializes in teaching history, jazz and mariachi to youth. “It’s incredibly rewarding to see how music can empower and inspire young people in our community.”

    Carrying this rich artistic tradition into a new generation is part of what drives Ramos. She sees mariachi as a way to connect students to their own unique voice as well as the collective spirit of their community.

    “I always tell them, you are ambassadors of your whole community,” said Ramos, who also works in real estate. “Wherever you go, you are not only representing East San Jose, you’re representing a whole culture. You’re representing Mexican culture and you’re representing mariachi. There’s a sense of pride in who you are.” 

    Struggle is often a part of the stories told in mariachi music. It’s also part of the reality of teaching music in a time of tight budgets and declining enrollment. While Ramos is cheered by how many of her students acquire a lifelong love of music, she wishes she didn’t always have to fight for more funding.

    “We need more teachers, we need more instruments, we need more support, we need more time, we need more classes,” said Ramos, “and that all comes down to budgeting. We have lots of requests for the kids to perform and to represent Alum Rock, but if we don’t have the budget to support it, we can’t do it.”

    Many arts advocates are hopeful that an infusion of Proposition 28 funding may help bolster projects like the mariachi program, an arts ed program that represents the cultural heritage of the community.

    “Culturally relevant curriculum and instruction helps educators build relationships with students by leveraging what they bring to the classroom,” said Letty Kraus, director of the California County Superintendents Statewide Arts Initiative. “It helps ensure relevance and engagement and maximizes inclusivity.”

    The braided nature of art, the way it’s tightly interwoven with history and culture over time, gives mariachi its power. Arts education also opens up avenues of opportunity and possibility for students as well as nurturing a sense of belonging, experts say. 

    “You’re teaching them about their own past,” said Fojas, who taught orchestra, band and mariachi for 20 years. “The majority of students that I taught were of Mexican descent, so when you’re teaching mariachi, you’re actually teaching them about the history of Mexico.”

    In a post-pandemic world, when absenteeism and disengagement are running high, the arts can be a path to teach students how to persevere through adversity. Budding musicians must learn how to have the grit to rehearse tirelessly and then perform fearlessly before an audience. Fojas sees arts education as a magnet to draw students back to school.

    “Everybody needs to understand the importance of art,” said Fojas. “Arts is culture, and when you deny people arts, you’re denying them culture, and those cultural artifacts are the things we leave behind. So if we deny youth the ability to participate in the arts, we’re denying future generations the ability to see what we’ve left behind.”





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  • How one county is overhauling its math culture

    How one county is overhauling its math culture


    Riverside County teachers collaboratively learn with the Riverside County Office of Education math team around increasing student thinking.

    Credit: Riverside County Office of Education

    At the Riverside County Office of Education, we serve about 430,000 students across 23 districts, providing instructional support and other direct services in all content areas. In recent years, our state math assessment data has indicated a need for improvement in how our students learn math. As a state and county, we have struggled to show the hoped-for growth in math in our statewide Smarter Balanced Assessments.

    We don’t believe that recommending all our districts adopt new textbooks or curricula would solve the problem because we’d still be teaching math the same way. Instead, we decided to align to evidence-based practices to change our math culture countywide.

    This is how we, in collaboration with our districts, are working toward a better math learning experience for our students.

    Our renewed focus on math culture aligns with national organizations like the National Council of Teachers of Mathematics and the National Council of Supervisors of Mathematics. The work we are doing also aligns very well with the California’s newly revised math framework. A few of the goals of focusing on culture are to increase student access, build positive identity and develop agency within students. These align directly with the ideas in chapters 1 and 2 of the new framework. Our approach to the teaching and learning of mathematics, informed by national reports such as “Adding It Up” and instructional models like cognitively guided instruction (CGI) honors what students bring to the classroom and builds on it while focusing on a balance between procedural skills, conceptual understanding and application.

    Due to numerous factors, mathematics instruction tends to spend a great deal of time on skills and procedures such as adding, subtracting, multiplying and dividing for the purpose of getting answers. There is a continued focus on procedural skills in elementary mathematics. But, instead of drilling students on these processes over and over, we could be spending time helping them understand the mathematics behind the processes by encouraging them to share their thinking.

    We’ve also seen an interplay between math culture improvements and equity. Changing people’s hearts and minds opens doors to more equitable access for students because educators start to recognize that there aren’t low, medium and high students. Rather, there are students who have had diverse opportunities to learn math, and we should listen to them about what they know and how they learn.

    Ultimately, this culture shift is about student engagement. If students in a classroom are tuned out, we can choose to continue with the status quo, or we can help them see the beauty in math and how it connects to their lives and the things they care about.

    Much of our work is additionally grounded in the Teaching for Robust Understanding framework, the book “Street Data” by Shane Safir and Jamila Dugan, and the Universal Design for Learning framework. These ideas underpin the three major aspects of our service: direct contract work with districts, countywide professional development, and the District Math Collaborative.

    We introduce ideas about math culture reform in our professional development contract work with districts. Districts reach out to us when they’d like to do customized professional development work to improve math teaching and learning.

    The District Math Collaborative began with seven districts in spring 2022, and we have continued to grow. Collaboration has centered around reflecting on teaching and learning systems, how they affect students, and how to continuously improve them.

    In addition, we have our annual Week of Math. This event is designed to allow educators, students and families to experience math differently — to find joy in mathematics. We partner with MIND Education to provide many of the games, stories and experiences through their MathMINDs program. We chose this program because it encourages the exploration, problem-solving and pattern-seeking that is the foundation of mathematics instruction we’d like to see in our classrooms. Students and their families delight in solving problems together, which builds community and reinforces the notion that everyone can be a “math person.”

    The anecdotal feedback has been great. We’ve visited schools to measure implementation and conduct surveys on how students perceive the changes. In classrooms with high implementation, we hear that students are more engaged, and that students who were labeled as low or struggling with low participation are now talking and engaging in meaningful ways.

    One of the schools that took the early initiative to work with us about five years ago — Quail Valley Elementary in Menifee Union School District — has exceeded state, county and district averages on assessments for the last two years in the grade levels with high implementation. We make sure to let all our districts know about this sort of success, because an important characteristic of culture is that it’s shared by a whole community.

    Our advice to anyone seeking to improve math culture is to find people who are energized by your ideas and lift them up. In time, they’ll lift others up as well.

    •••

    Dennis Regus, Karon Akins, Diana Ceja and Susan Jagger are the mathematics administrators from Riverside County Office of Education in California.

    The opinions in this commentary are those of the authors. If you would like to submit a commentary, please review our guidelines and contact us.





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  • How I recovered from reverse culture shock after coming home from studying abroad

    How I recovered from reverse culture shock after coming home from studying abroad


    A lit-up street in Aix-en-Provence at night.

    An evening stroll down Cours Mirabeau in Aix-en-Provence in December.

    Courtesy: Layla Bakhshandeh

    I had never thought about studying abroad until two of my best friends went abroad and told me about their experiences in Spain. The paella. The nightlife. The making of new friends who end up feeling like family. The next day, I signed up to study in France.

    The golden ticket landed in my lap midway through the winter quarter of my junior year at Cal Poly San Luis Obispo: I had been accepted into a language and culture program in the south of France for the fall 2023 semester. 

    Along with my acceptance came a long list of forms and seminars that all the more than 1,000 Cal Poly SLO “Global Mustangs” had to complete. After all these training sessions, I felt equipped to deal with the culture shock I would feel there, and I was as prepared as one can be when I arrived. 

    What I was not prepared for was the unexpected culture shock that I faced when I returned to the United States. This “reverse culture shock” brought feelings of depression and confusion. I wondered how it was possible to feel so unsettled when returning to California, the place I spent my entire life, especially when my arrival in France didn’t result in any significant feelings of displacement.

    Very quickly, the south of France felt like home. Daily routines formed as my French language skills progressed. International friends nestled their way into my heart, and French cheeses riddled my creaky apartment’s mini fridge. 

    Living in a new culture forced me to reflect on my own identity and experiences. I did miss my family and friends back in California, but that longing for loved ones was overshadowed by the glow of my new life in Aix-en-Provence. 

    I realized later on that it wasn’t my life that was glowing, it was me.

    This inner glow was a result of massive self-growth and self-discovery that opened up for me when I moved across the world alone. In France, I was learning more about who I was and the person I wanted to be. Constant cross-cultural experiences and openness to new ideas brought me a sense of extreme fulfillment.

    At times, I felt like I was trying on a new life; but just when it felt right, it began to unravel. My studies abroad were over, and I had to return to California. 

    The real difficulties unveiled themselves when I returned home and started my winter quarter in San Luis Obispo, and I realized I was experiencing “reverse culture shock,” which the U.S. State Department defines as the psychological, emotional and cultural aspects of reentry. (I first heard the term through a Cal Poly study-abroad training session.)

    People who experience it report having academic problems, cultural identity conflict, social withdrawal, depression, anxiety and interpersonal difficulties.

    And that’s how I felt. Confusion, discomfort and depressive feelings fogged my everyday actions. I missed the constant stimulation of my time in France. After growing immensely on a personal level, while I was abroad, I felt unsure of who I was in a town that had not changed at all since I left. My major classes suddenly felt insignificant, and I couldn’t tell if my friends really knew me anymore. 

    It felt like I was viewing my old life through a new lens, unsure of how to move in my new environment. In rushed feelings of isolation and identity confusion. This, coupled with my heavy course load, made it difficult to even think about my time away. 

    But burying your memories and experiences only makes it harder to adjust to life back in your home country. I realized I had to force myself to integrate my experiences in France with my life back in California.

    Here are some ways I worked through my reverse culture shock:

    • Journaling: Writing about my time away helped me remember all the core memories and experiences that helped me grow. Putting pen to paper helped me to process all the events I had experienced.
    • Sharing stories with friends: Telling anecdotes from your travels brings old memories to light. Sharing these stories with friends and loved ones made me feel more understood. 
    • Joining a reentry group or finding friends who are also returning from studying abroad: Connecting with others in the same situation as I made me more comfortable opening up and reflecting on my time abroad. It was also a great way to hear about other people’s experiences with the phenomenon of reverse culture shock. 

    Taking time to reflect on experiences abroad gives students the opportunity to piece together their time away. It can help students identify the qualities and growth that they experienced abroad, and incorporate these aspects throughout their journey in their home country. 

    It is easy to fall back into old habits when surrounded by old environments, but reminding myself of the lessons I learned helped bring the glow back. 

    •••

    Layla Bakhshandeh is a senior journalism and graphic communication student at Cal Poly, San Luis Obispo and a member of EdSource’s California Student Journalism Corps.

    The opinions expressed in this commentary represent those of the author. EdSource welcomes commentaries representing diverse points of view. If you would like to submit a commentary, please review our guidelines and contact us.





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  • Student Achievement Through Staff Culture: An Interview with Max Wakeman

    Student Achievement Through Staff Culture: An Interview with Max Wakeman


    School leadership gold in this interview with Max

    Over the past year we’ve been learning from 40 schools in Walsall and Sandwell England. These schools, located outside of Birmingham in areas of unusually high economic deprivation, were chosen to participate in a Priority Education Improvement Areas (PEIA) grant to increase self-regulation and meta-cognition (and therefore academic and social outcomes) in students.   

    Windsor Academy Trust, the visionary and organizer of the program, reached out to us to provide a training and support, and we’re thrilled to have been a part of it and thrilled to share that the initial results have been really encouraging.  

    Together with local education leaders, we’ve had the opportunity to visit all 40 schools, train leadership teams on Engaging Academics and Check for Understanding techniques, and study video of teachers implementing the techniques in their classrooms. From the video study alone, we’ve been lucky enough to cut 17 videos that we’ve been using in training, several of which you’ve read about on this blog here here and here for example.

    In June, we started our second round of visits, to assess growth in meta-cognition and self-regulation, and we were delighted that of the 16 schools we visited, 13 of them were implementing techniques to positive effect.  Obviously the real evidence will be in the form of assessment outcomes, which we are very optimistic about (there are lots of very promising leading indicators, including Goldsmith Primary School, part of Windsor Academy Trust being named an Apple Distinguished School, one of 400 schools chosen internationally) but in the meantime we’ll be writing more about what we’ve learned, and we couldn’t wait to share this interview with Max Wakeman, the Head Teacher at Goldsmith, where we taped two of the outstanding lessons we shared above.

    In this interview, Max reflects on his school’s success in our work together, he talks about the importance of creating a strong Culture of Error for his teachers – and about showing love for students by holding them to the highest of expectations.

    TLAC team-member Hannah Solomon had so much fun talking to Max here – we know you’ll enjoy learning from him as much as we did!

     

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