برچسب: culturally

  • How mariachi programs keep students like me culturally connected in college

    How mariachi programs keep students like me culturally connected in college


    Students pass beneath Sather Gate and onto Sproul Plaza at UC Berkeley.

    Credit: Steve McConnell / UC Berkeley

    As a student of Mexican, Guatemalan and Salvadoran heritage at UC Berkeley, adjusting to life at a prestigious institution has been hard. Too often, my peers assume stereotypes about me and my parents — that I must have grown up poor, that my parents don’t have an education or speak English, that I must be loud and aggressive like the Latinos they see on TV. Sometimes, while walking on campus, I overhear conversations about the need to deport so-called “illegals.” Whenever professors mispronounce my name, it sounds like nails on a chalkboard to me.

    Three years ago, I joined Mariachi Luz de Oro. For myself and student mariachis everywhere, our performance is a rejection of this kind of mistreatment and simultaneously a celebration of our heritage. 

    Today, student mariachis across the state persevere and celebrate Mexican culture at a time when it is being targeted by the Trump administration. The need for cultural preservation among young Latinos is more timely than ever. 

    Growing up, I was always on stage. But nothing ever stuck. From ballet at the age of 5 to piano at 9 to theater at 13 and even a cover band at 17, I eventually lost interest in every performing art I was involved in. 

    But as a college freshman in 2022, I finally found one that stuck — mariachi.

    Daniela Castillo performs for Mariachi Luz de Oro at UC Berkeley.
    Camila Villanueva

    In California, Latino students are more likely to have cultural ties to mariachi music. According to the Public Policy Institute of California, Latinos make up 40% of California’s population and 51.4% of Californians aged 24 years and younger. Mariachi programs help students achieve high levels of musicianship while also helping them stay connected to their culture, unlike music programs derived from European tradition, such as classical music or marching band.

    This is why I have continued mariachi. No other art form has mattered to me in a way that also speaks to my roots, from preserving the language to being able to sing songs at family events like funerals and weddings. 

    When I first found Mariachi Luz de Oro, I’d just moved 400 miles away from Gardena in Southern California, the only home I’d ever known. I remember calling my family and then crying once we hung up because I longed to be home so badly. 

    Mariachi helped cure that. It gave me a community, a learning space and a newfound sense of closeness with my family. I’ll never forget how excited my grandma was to give me a crochet vihuela pin she made for me to wear on my traje de charro, the mariachi uniform. Homemade videos of me performing and singing in Spanish help my parents miss me a little less. 

    When I first saw Mariachi Luz de Oro perform, I was volunteering at a local Latino community event. The violins swelled, and the trumpets blared as the singer’s Spanish lyrics resonated in my ears. I knew then and there that this was something I wanted to be a part of. 

    To my surprise, the group offered to lend me a spare vihuela, an instrument similar to a guitar, but smaller. I hadn’t heard of a vihuela before, nor did I know how to play it or any other mariachi instrument. Even though I had no experience, I felt that this was something I needed to do. That day, amidst the chaos of adjusting to my first semester of college, I decided to pick up a brand-new instrument.

    Today, I play and sing at nearly every performance we have. I am a member of the student board and helped organize this year’s third annual UC Berkeley Mariachi Conference. 

    The conference is a weekend-long event that started in 2023. More than 100 student mariachis from various middle schools, high schools and colleges across California are invited to campus. They get to perform in a showcase, build community, and participate in two days of classes taught by world-class mariachi instructors.

    Through the UC Berkeley conference, I have met many inspirational student mariachis, including Karen Orozco, a senior at Garfield High School in East Los Angeles, who said that her participation in mariachi in high school prepared her for success. Orozco balances being a guitarist for the school’s mariachi group, Mariachi Los Alanos, and its all-girl group, Mariachi Las Mariposas. Orozco said that most mariachi members at her school plan to attend college and continue playing mariachi music.

    “It’s helped us see how much we can achieve,” Orozco said. “It gives us motivation in both academics and performing.”

    Orozco and I can both attest to the importance of mariachi programs. Although mariachi has taken a lot of hard work and time, I don’t have any regrets. It has helped me along my academic journey, while keeping me connected to my family and heritage at a time when keeping mariachi music alive is more important than ever.

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    Daniela Castillo is student at UC Berkeley majoring in media studies with a concentration in global and cultural studies, as well as a double minor in journalism and ethnic studies, and a member of EdSource’s California Student Journalism Corps.

    The opinions expressed in this commentary represent those of the author. EdSource welcomes commentaries representing diverse points of view. If you would like to submit a commentary, please review our guidelines and contact us.





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  • Teachers need a better way to ensure their curricula are culturally relevant

    Teachers need a better way to ensure their curricula are culturally relevant


    Credit: Allison Shelley/The Verbatim Agency for American Education

    In a 2023 survey, Educators for Excellence found that only 26% of educators nationally believe that their classroom curriculum is culturally relevant for their student population, and the truth is no different in Los Angeles Unified, where I teach. I have been in the classroom for 25 years, and I agree. 

    Culturally responsive education refers to the combination of teaching, pedagogy, curriculum, theories, attitudes, practices, and instructional materials that center students’ cultures, identities, and contexts throughout educational systems. What’s more, culturally relevant education increases the sense of community and builds trust and connection between educators and students, resulting in better academic outcomes. 

    This is important for students because we do not live in isolation. The world is growing smaller as we connect through different types of media and are constantly introduced to different cultures, beliefs and customs. A 2019 report shows that since 2000, classrooms in our country have become increasingly diverse, with the Latino student population growing from 16% to 25%. This is especially pertinent in LAUSD classrooms. 

    My classroom is made up of approximately 20% African American students and 80% Latino students. As a kindergarten teacher, my focus is on the social-emotional development of my students, and I try to build a strong cultural competency, where students become familiar with aspects of other cultures. This helps to expose students to the differences and similarities that exist within their identities, and therefore within our classrooms. One age-appropriate way I do this is by focusing on different holidays and cultural celebrations. I will bring in food or showcase dances, arts and crafts that represent various cultures and allow the students to immerse themselves with their senses, trying to expand their knowledge and understanding.  

    Unfortunately, I do not feel supported in my culturally relevant education efforts in the classroom. There must be ways to create more welcoming classrooms and foster understanding and appreciation among students for each other’s unique identities and backgrounds. I need more support to do this, more understanding of how to embed cultural awareness and relevance into my curriculum and teaching.

    That’s why I have joined a teacher action team with some of my colleagues and the help of Educators for Excellence – Los Angeles. This group allows us to come together to discuss ideas and put together a plan to help improve cultural relevancy throughout LAUSD. We’re calling for a public rubric to help the district succeed with its commitment to safe, inclusive learning environments. This rubric would list requirements for curricula to be culturally relevant and would be a way for schools to ensure that what they are teaching meets a predetermined district standard. 

    For example, over 50 of my colleagues and I from across LAUSD have evaluated our curriculum with a rubric developed by the New York University Steinhardt school. This process has allowed us to determine that our curriculum was satisfactory when it came to connecting the local community to the texts, but it falls short when it comes to the representation of LGBTQ+ and disabled identities, as well as in providing opportunities for students to bring their own community experiences to the classroom. If this rubric were used districtwide, we could improve our implicit-bias training, give teachers more support, and have a specific long-term vision for the type of curriculum we’re using in LAUSD, all leading to the achievement of the goals outlined in the district’s strategic plan.  

    Meeting these standards will not only give educators a guiding light in making their classrooms more inclusive, but it will also give students the opportunity to expand their knowledge and understanding of society. As I mentioned, I already incorporate diverse practices and lessons into my classroom. In return, I see students being more understanding of one another, and I see students from all backgrounds connecting to the material we are learning. It helps me to build a love of learning and a tolerance for others’ differences. 

    Having a higher level of cultural relevancy in our district-approved curriculum would allow students to meet their differences with an open mind and heart, and help them to build a foundation for acceptance and inclusion. Additionally, seeing themselves represented in the classroom allows students to connect better with lessons and demonstrate more interest in their academic success. 

    Even in a district as diverse and progressive as LAUSD, the long-term quality and inclusiveness of classroom curriculum is under attack. Efforts to attack student learning environments are no longer just distant issues that confront other districts and other states; it is here in California. This problem is not going away. LAUSD has already committed to increasing inclusion efforts in the classroom. My colleagues and I want to help this commitment come true. By collaborating with the district to develop a rubric that contains the cultural relevancy we are demanding, we are giving the district a recommendation directly from LAUSD classroom teachers on what needs to happen to improve our classrooms and create a more robust curriculum.

    Our schools need culturally relevant education to educate tolerant, understanding, knowledgeable and successful students. We need more educators on board with calling on the district to partner with us and update the curriculum in our classrooms. Speak up to your administrations, and collaborate with colleagues on a way to build more inclusive classrooms throughout LAUSD. Our students and our future generations deserve it.

    ●●●

    Petrina Miller is a longtime educator in Los Angeles Unified, and is an active member of Educators for Excellence – Los Angeles, a nonprofit organization of more than 30,000 educators united around a common set of values and principles for improving student learning and elevating the teaching profession.

    The opinions in this commentary are those of the author. If you would like to submit a commentary, please review our guidelines and contact us.





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